2008: “Manifesto Marathon 2008,” Serpentine Gallery, London, England.
2008: “28th Biennial of Sao Paulo,” The Foundation of Sao Paulo, Sao Paulo, Brazil.
2008: “Whatever Happened to Sex in Scandinavia?,” Office for Contemporary Art Norway,
Oslo, Norway.
2008: “That Was Then…This Is Now,” P.S.1 Contemporary Art Center, Long Island City,
New York.
2008: Reykjavik Arts Festival, Reykjavik, Iceland.
2008: “From Fluxus to Media Art,” Stendhal Gallery, New York
2007: “From Futurism to Fluxus,” The Jonas Mekas Visual Arts Center, Vilnius, Lithuania.
2007: “Universal Language & The Avant-Garde,” Stendhal Gallery, New York
2007: “Jonas Mekas: The Beauty of Friends Being Together Quartet”, P.S.1 Contemporary Art
Center, Long Island City, New York.
2007: www.jonasmekas.com, Solo Exhibition, Stendhal Gallery, November to February
2006: “Jonas Mekas: Solo Exhibition”, Mead Gallery, Warwick Arts Center, UK.
2006: “Jonas Mekas: Solo Exhibition, Sketch Gallery, London.
2006: “He Stands in the Desert Counting the Seconds of His Life”, Tamayo Contemporary Art
Museum, Mexico City.
2006: “Jonas Mekas, Film Screenings”, Hirshhorn Museum, Washington DC.
2006: “Jonas Mekas: Solo Exhibition”. Baltic Art Center, Visby.
2006: “The Expanded Eye”, Kunsthaus Zurich.
2006: “Onestar Stop”, Galerie Erna Hòcy, Brussels.
2005: “Jonas Mekas- Celebration of the Small and the Personal in the Time of Bigness, La
Biennale di Venezia, Venice, 51st International Exhibition.
2005: “Balance and Power- Performance and Surveillance in Video Art”. Krannert Art
Museum, Champaign, IL.
2005: “Thank You for the Music”, Spruth Magers Projeckte, Munich.
2005: “Jonas Mekas”, Contemporary Art Center Vilnius (CAC).
2005: “Repetitions”, Stendhal Gallery, New York, Group Show;
2005: “Fragments of Paradise”, Solo Exhibition, Stendhal Gallery
2003: “Moderna Museet”, Baltic Art Center, Visby.
2003: “Fables de L’Identitò”, Centre National de la Photographie, Paris.
2003: “Jonas Mekas: Frozen Films Frames”, Maison Europòene de la Photographie,Paris.
2003: “Frozen Film Frames”, Sideshow Gallery, Williamsburg, Brooklyn.
2003: “Dedication to Fernand Leger”, Museum of Contemporary Art, Vilinius.
2003: La Biennale di Venezia. Installation at the Utopia Station Pavillion
2003: “Jonas Mekas: A Camera for Jonas”. “To Petrarca Who Walked Over the Hills of
Provence” and a 24 hour video installation, “Dedication to Ferdinand Leger”.
Musee d’Art Moderne de la Ville de Paris.
2002: Documenta 11, Kassel.
2002: Maison Europòenne de la Photographie, Paris.
2000: “Laboratorium”, Antwerpen Open, Antwerp.
2000: “Voilá- Le Monde dans la Tête”, Musee d’Art Moderne de la Ville de Paris, Films and
Installations.
1998: Gandy Gallery, Prague.1999: Susan Inglett Gallery, New York.1999: Pupelis Gallery,
Obeliai.
1998: “Le Printemps de Cahors”, Musee de Cahors Henri- Martin, Cahors.
1997: Museum of Contemporary Art, Vilnius.
1997: Madrid Art Fair.
1997: Metropolitan Museum of Photography, Tokyo
1996: Still Gallery, Edinburgh.1996: Laurence-Miller, New York.
1992: Galerie du Jour Agnes B., Paris.
1992: Galerie National du Jeu de Paume, Paris.
Filmogrpahy
Guns of the Trees (1962), 75 minutes.
Film Magazine of the Arts (Summer, 1963), 20 minutes.
The Brig (1964), 68 minutes.
Award Presentation to Andy Warhol (1964), 12 minutes.
Report from Millbrook (1965/1966), 12 minutes
Walden (Diaries, Notes, and Sketches), (filmed 1964-68, edited 1968-69), 3 hours.
Hare Krishna (1966), 4 minutes.
Notes on the Circus (1966), 12 minutes.
Cassis (1966), 4.5 minutes.
The Italian Notebook (1967), 15 minutes. (Taken out of circulation)
Time and Fortune Vietnam Newsreel (1968), 4 minutes.
Reminiscences of a Journey to Lithuania (1971-72), 82 minutes.
Lost, Lost, Lost (1976), 2 hours, 58 minutes.
In Between: 1964-8 (1978), 52 minutes.
Notes for Jerome (1978), 48 minutes.
Paradise Not Yet Lost (aka Oona’s Third Year) (1979), 96.5 minutes.
Street Songs (1966/1983), 10.5 minutes.
Cup/Saucer/Two Dancers/Radio (1965/1983), 23 minutes.
Erik Hawkins: Excerpts from “Here and Now with Watchers”/ Lucia Dlugoszewski
Performs (1983), 6 minutes.
Dlugoszewski Performs (1983), 6 minutes.
He Stands in a Desert Counting the Seconds of His Life (1969/1985), 2.5 hours.
Scenes from the Life of Andy Warhol (1990), 35 minutes.
Mob of Angels/The Baptism (1991), 60 minutes. Video.
Dr. Carl G. Jung or Lapis Philosophorum (1991), 29 minutes.
Quartet Number One (1991), 8 minutes.
Mob of Angels at St. Ann (1992), 60 minutes. Video.
Zefiro Torna or Scenes from the Life of George Maciunas (1992), 34 minutes.
The Education of Sebastian or Egypt Regained (1992), 6 hours. Video.
Imperfect 3-Image Films (1995), 6 minutes.
On My Way to Fujiyama (1995), 25 minutes.
Happy Birthday to John (1996), 24 minutes.
Memories of Frankenstein (1996), 95 minutes.
Birth of a Nation (1997), 85 minutes.
Scenes from Allen’s Last Three Days on Earth as a Spirit (April 1997), 67 minutes. Video.
Letter from Nowhere-Laiskas is Niekur N.1 (1997), 75 minutes. Video. In Lithuanian.
Song of Avignon (1998), 5 minutes.
Laboratorium (1999), 63 minutes. Video.
This Side of Paradise (1999) 35 minutes, 16 mm.
A Few Notes on Andy’s Factory (1999), 59 minutes. Video.
Notes on Film-Maker’s Cooperative (1999), 40 minutes. Video.
Autobiography of a Man Who Carried his Memory in his Eyes (2000), 53 minutes. Video.
Song of Avignon (2000), 8 minutes.
Mysteries (1966-2000), 34 minutes.
Remedy for Melancholy (2000), 20 minutes. Video.
As I was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty (2000), 4 hours 48
minutes. 16mm.
Ein Maerchen (2001), 6 minutes. Video.
Williamsburg, Brooklyn (1950-2003), 15 minutes.
Mozart & Wien and Elvis (2000), 3 minutes.
Travel Songs (1967-1981), 28 minutes.
The Song of Assisi (1967), 2 minutes
The Song of Avila (1967), 4 minutes
The Song of Moscow (1970), 3 minutes
The Song of Stockholm (1980), 4 minutes
The Song of Italy (1967), 15 minutes
Dedication to Leger (2003), 24 hours, video installation.
Notes on Utopia (2003), 59 minutes.
Letters from Greenpoint (2004), 80 minutes. Video.
365 Day Project (2007), 30 hours.
Notes on American Film Director: Martin Scorsese (2007), 80 minutes.
Lithuania and the Collapse of USSR (2008), 4 hours 50 minutes.
Awards
Has received grants and awards from the Albright-Knox Gallery, the Long Wharf Theater
Foundation, New York State Council on the Arts, Rockefeller Foundation, and National
Endowment for the Arts.
Member of American Center of P.E.N.
Golden Medal, Philadelphia College of Art, “For the devotion, passion and selfless dedication to the rediscovery of the newest art.” 1966.
Guggenheim Fellowship, 1977.
Creative Arts Award, Brandeis University, 1989.
Mel Novikoff Award, San Francisco Film Festival, 1992.
Chevalier de l’Ordre des Arts et des Lettres, Ministry of Culture, France, 1992, 2000.
Lithuanian National Award, 1995.
Doctor of Fine Arts, Honoris Causa, Kansas City Art Institute, 1996.
Pier Paolo Pasolini Award, Paris, 1997.
International Documentary Film Association Award, Los Angeles, 1997.
Governors Award, Skohegan School of Painting and Sculpture, 1997.
Artium Doctors Honoris Causa, Universitatis Vytauti Magni, Lithuania, 1997.
2006 Selection of the Library Congress National Film Registry for “Reminiscences of a Journey
to Lithuania.”
Los Angeles Film Critics Association, 2006.
Directors Guild of America, 2006.
Austrian Decoration of Honour for Science and Art, 2008.
Baltic Cultural Achievement Award, 2008.
Publications by Jonas Mekas
Knyga Apie Karalius ir Zmons. Prose, In Lithuanian, Tubingen, 1947.
Semeniskiu Idiles. Poetry, in Lithuanian, Zvilgsniai, Kassel, 1948. Japanese edition.
Tokyo, 1996; enlarged Lithuanian edition, Vilnius, Baltos Lankos 1997.
Geliu Kalbejimas. Poetry, in Lithuanian, Chicago, 1961.
Pavieniai Zodziai. Poetry, in Lithuanian, Chicago, 1967; Japanese edition, Tokyo, 1996.
Poezija. Poetry, in Lithuanian, Vilnius, Vaga, 1971.
Reminiscensijos. Poetry, in Lithuanian, New York, Fluxus, 1972.
Movie Journal, Macmillan, 1972: Japanese edition, 1975. Spanish edition, 1976; French
edition, 1992.
Dienorasciai. Poetry, in Lithuanian, New York, Zvilgsniai, 1985.
Three Friends: John Lennon, Yoko Ono, and George Maciunas. Japanese edition, Tokyo,
1990; Lithuanian edition, Vilnius, 1998; French edition, Centre Georges Pompidou, Paris, 2002.
I Had Nowhere to Go: Diaries, 1944-1954. Black Thistle Press, New York, 1991.
There is No Ithaca. English edition, trnsl. Vyt Bakaitis, of Semeniskiu Idiles and
Reminiscensijos, Black Thistle Press, New York, 1996.
Letters from Nowhere. In Lithuanian, Vilnius, 1997.
Dienu Rastai. Poetry, in Lithuanian, Vilnius, 1998.
Zefiro Torna or Scenes From the Life of George Maciunas. Diaries, Arthouse, New York, 1998.
Zmogus Be Vietos. Lithuanian edition of I Had Nowhere to Go. Baltos Lankos, 2000.
Just Like A Shadow. Text by Jerome Sans. Frozen film frames by Jonas Mekas. Steidl,
Göttingen, 2000. In English.
Declarations de Paris. Editions Paris Experimental, 2001. In French and English.
Poezija, Lietuvos Rasytoju Sajungos Leidykla. Poetry, in Lithuanian, Vilnius, 2002.
As I Was Moving Ahead…Editions Kinoshita, Tokyo. In Japanese. Text and narration from the film.
Fluxus Friends. In French. Centre Georges Pompidou, 2002.
Artist Book. Musee d’Art Moderne de Villa de Paris, 2002.
Daybooks. Poetry. Translated by Vyt Bakaitis from Lithuania. Portable Press, Brooklyn, 2003.
Lettres de Nulle Part. In French. Paris Experimental, 2003.
Anecdotes. In French. SCALI, 2007.
Articles on cinema in Film Culture, Sight & Sound, Bianco e Nero, The New York Times,
Cahiers du Cinema, Isskustvo Kino, etc.
Publications About Jonas Mekas
Books and Catalogs:
Alberto Arbasino, “Entre el “underground” y el “off-off.” Editorial Anagrama, Barcelona, 1970.
Judy Briggs, Jonas Mekas. Films in the Cities, St. Paul, 1980.
Jonas Mekas. Exposition Catalog. Tokyo, 1983.
David James, To Free the Cinema: Jonas Mekas and the New York Underground, Princeton University Press, 1992.
Jonas Mekas. Catalog. Galerie Nationale Jeu de Paume, Paris, Paris, 1992.
Jonas Mekas. Catalog and Texts. Galerie du Jour, Paris, 1996.
Jonas Mekas: Frozen Film Frames. Exhibition catalog. Tokyo Metropolitan Museum of
Photography, 1996. Text in Japanese.
Pip Chodorov, Christina Lebrat, Le Livre de Walden. Editions Paris Experimental, Paris, 1997. In French.
Jonas Mekas: Frozen Film Frames. Images and texts. Photo-Planete, Tokyo, 1997. In
Japanese.
Sustabdytos akimirkos. Exhibition catalog. Contemporary Art Museum, Vilnius, 1997.
Jonas Mekas: This Side of Paradise. Exhibition catalog and texts. Galerie du Jour, Paris, 1999.
Pip Chodorov, Patrice Rollet, Lost Lost Lost Book. Editions Paris Experimental, 2000. In French and English.
Extened Essays and Interviews:
Alan Levy, “Voice of the Underground Cinema,” The New York Times Magazine, September 19, 1965.
Calvin Tomkins, “All Pockets Open,” New Yorker profile, January 6, 1973.
Scott MacDonald, “Interview With Jonas Mekas,” October N. 29, Summer 1984.
Jerome Sans, “An Interview with Jonas Mekas,” Just Like a Shadow, Steidl, 2000.
Deutsch
CV
JONAS MEKAS
Selected Solo and Group Exhibitions
2008: “Manifesto Marathon 2008,” Serpentine Gallery, London, England.
2008: “28th Biennial of Sao Paulo,” The Foundation of Sao Paulo, Sao Paulo, Brazil.
2008: “Whatever Happened to Sex in Scandinavia?,” Office for Contemporary Art Norway,
Oslo, Norway.
2008: “That Was Then…This Is Now,” P.S.1 Contemporary Art Center, Long Island City,
New York.
2008: Reykjavik Arts Festival, Reykjavik, Iceland.
2008: “From Fluxus to Media Art,” Stendhal Gallery, New York
2007: “From Futurism to Fluxus,” The Jonas Mekas Visual Arts Center, Vilnius, Lithuania.
2007: “Universal Language & The Avant-Garde,” Stendhal Gallery, New York
2007: “Jonas Mekas: The Beauty of Friends Being Together Quartet”, P.S.1 Contemporary Art
Center, Long Island City, New York.
2007: www.jonasmekas.com, Solo Exhibition, Stendhal Gallery, November to February
2006: “Jonas Mekas: Solo Exhibition”, Mead Gallery, Warwick Arts Center, UK.
2006: “Jonas Mekas: Solo Exhibition, Sketch Gallery, London.
2006: “He Stands in the Desert Counting the Seconds of His Life”, Tamayo Contemporary Art
Museum, Mexico City.
2006: “Jonas Mekas, Film Screenings”, Hirshhorn Museum, Washington DC.
2006: “Jonas Mekas: Solo Exhibition”. Baltic Art Center, Visby.
2006: “The Expanded Eye”, Kunsthaus Zurich.
2006: “Onestar Stop”, Galerie Erna Hòcy, Brussels.
2005: “Jonas Mekas- Celebration of the Small and the Personal in the Time of Bigness, La
Biennale di Venezia, Venice, 51st International Exhibition.
2005: “Balance and Power- Performance and Surveillance in Video Art”. Krannert Art
Museum, Champaign, IL.
2005: “Thank You for the Music”, Spruth Magers Projeckte, Munich.
2005: “Jonas Mekas”, Contemporary Art Center Vilnius (CAC).
2005: “Repetitions”, Stendhal Gallery, New York, Group Show;
2005: “Fragments of Paradise”, Solo Exhibition, Stendhal Gallery
2003: “Moderna Museet”, Baltic Art Center, Visby.
2003: “Fables de L’Identitò”, Centre National de la Photographie, Paris.
2003: “Jonas Mekas: Frozen Films Frames”, Maison Europòene de la Photographie,Paris.
2003: “Frozen Film Frames”, Sideshow Gallery, Williamsburg, Brooklyn.
2003: “Dedication to Fernand Leger”, Museum of Contemporary Art, Vilinius.
2003: La Biennale di Venezia. Installation at the Utopia Station Pavillion
2003: “Jonas Mekas: A Camera for Jonas”. “To Petrarca Who Walked Over the Hills of
Provence” and a 24 hour video installation, “Dedication to Ferdinand Leger”.
Musee d’Art Moderne de la Ville de Paris.
2002: Documenta 11, Kassel.
2002: Maison Europòenne de la Photographie, Paris.
2000: “Laboratorium”, Antwerpen Open, Antwerp.
2000: “Voilá- Le Monde dans la Tête”, Musee d’Art Moderne de la Ville de Paris, Films and
Installations.
1998: Gandy Gallery, Prague.1999: Susan Inglett Gallery, New York.1999: Pupelis Gallery,
Obeliai.
1998: “Le Printemps de Cahors”, Musee de Cahors Henri- Martin, Cahors.
1997: Museum of Contemporary Art, Vilnius.
1997: Madrid Art Fair.
1997: Metropolitan Museum of Photography, Tokyo
1996: Still Gallery, Edinburgh.1996: Laurence-Miller, New York.
1992: Galerie du Jour Agnes B., Paris.
1992: Galerie National du Jeu de Paume, Paris.
Filmogrpahy
Guns of the Trees (1962), 75 minutes.
Film Magazine of the Arts (Summer, 1963), 20 minutes.
The Brig (1964), 68 minutes.
Award Presentation to Andy Warhol (1964), 12 minutes.
Report from Millbrook (1965/1966), 12 minutes
Walden (Diaries, Notes, and Sketches), (filmed 1964-68, edited 1968-69), 3 hours.
Hare Krishna (1966), 4 minutes.
Notes on the Circus (1966), 12 minutes.
Cassis (1966), 4.5 minutes.
The Italian Notebook (1967), 15 minutes. (Taken out of circulation)
Time and Fortune Vietnam Newsreel (1968), 4 minutes.
Reminiscences of a Journey to Lithuania (1971-72), 82 minutes.
Lost, Lost, Lost (1976), 2 hours, 58 minutes.
In Between: 1964-8 (1978), 52 minutes.
Notes for Jerome (1978), 48 minutes.
Paradise Not Yet Lost (aka Oona’s Third Year) (1979), 96.5 minutes.
Street Songs (1966/1983), 10.5 minutes.
Cup/Saucer/Two Dancers/Radio (1965/1983), 23 minutes.
Erik Hawkins: Excerpts from “Here and Now with Watchers”/ Lucia Dlugoszewski
Performs (1983), 6 minutes.
Dlugoszewski Performs (1983), 6 minutes.
He Stands in a Desert Counting the Seconds of His Life (1969/1985), 2.5 hours.
Scenes from the Life of Andy Warhol (1990), 35 minutes.
Mob of Angels/The Baptism (1991), 60 minutes. Video.
Dr. Carl G. Jung or Lapis Philosophorum (1991), 29 minutes.
Quartet Number One (1991), 8 minutes.
Mob of Angels at St. Ann (1992), 60 minutes. Video.
Zefiro Torna or Scenes from the Life of George Maciunas (1992), 34 minutes.
The Education of Sebastian or Egypt Regained (1992), 6 hours. Video.
Imperfect 3-Image Films (1995), 6 minutes.
On My Way to Fujiyama (1995), 25 minutes.
Happy Birthday to John (1996), 24 minutes.
Memories of Frankenstein (1996), 95 minutes.
Birth of a Nation (1997), 85 minutes.
Scenes from Allen’s Last Three Days on Earth as a Spirit (April 1997), 67 minutes. Video.
Letter from Nowhere-Laiskas is Niekur N.1 (1997), 75 minutes. Video. In Lithuanian.
Song of Avignon (1998), 5 minutes.
Laboratorium (1999), 63 minutes. Video.
This Side of Paradise (1999) 35 minutes, 16 mm.
A Few Notes on Andy’s Factory (1999), 59 minutes. Video.
Notes on Film-Maker’s Cooperative (1999), 40 minutes. Video.
Autobiography of a Man Who Carried his Memory in his Eyes (2000), 53 minutes. Video.
Song of Avignon (2000), 8 minutes.
Mysteries (1966-2000), 34 minutes.
Remedy for Melancholy (2000), 20 minutes. Video.
As I was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty (2000), 4 hours 48
minutes. 16mm.
Ein Maerchen (2001), 6 minutes. Video.
Williamsburg, Brooklyn (1950-2003), 15 minutes.
Mozart & Wien and Elvis (2000), 3 minutes.
Travel Songs (1967-1981), 28 minutes.
The Song of Assisi (1967), 2 minutes
The Song of Avila (1967), 4 minutes
The Song of Moscow (1970), 3 minutes
The Song of Stockholm (1980), 4 minutes
The Song of Italy (1967), 15 minutes
Dedication to Leger (2003), 24 hours, video installation.
Notes on Utopia (2003), 59 minutes.
Letters from Greenpoint (2004), 80 minutes. Video.
365 Day Project (2007), 30 hours.
Notes on American Film Director: Martin Scorsese (2007), 80 minutes.
Lithuania and the Collapse of USSR (2008), 4 hours 50 minutes.
Awards
Has received grants and awards from the Albright-Knox Gallery, the Long Wharf Theater
Foundation, New York State Council on the Arts, Rockefeller Foundation, and National
Endowment for the Arts.
Member of American Center of P.E.N.
Golden Medal, Philadelphia College of Art, “For the devotion, passion and selfless dedication to the rediscovery of the newest art.” 1966.
Guggenheim Fellowship, 1977.
Creative Arts Award, Brandeis University, 1989.
Mel Novikoff Award, San Francisco Film Festival, 1992.
Chevalier de l’Ordre des Arts et des Lettres, Ministry of Culture, France, 1992, 2000.
Lithuanian National Award, 1995.
Doctor of Fine Arts, Honoris Causa, Kansas City Art Institute, 1996.
Pier Paolo Pasolini Award, Paris, 1997.
International Documentary Film Association Award, Los Angeles, 1997.
Governors Award, Skohegan School of Painting and Sculpture, 1997.
Artium Doctors Honoris Causa, Universitatis Vytauti Magni, Lithuania, 1997.
2006 Selection of the Library Congress National Film Registry for “Reminiscences of a Journey
to Lithuania.”
Los Angeles Film Critics Association, 2006.
Directors Guild of America, 2006.
Austrian Decoration of Honour for Science and Art, 2008.
Baltic Cultural Achievement Award, 2008.
Publications by Jonas Mekas
Knyga Apie Karalius ir Zmons. Prose, In Lithuanian, Tubingen, 1947.
Semeniskiu Idiles. Poetry, in Lithuanian, Zvilgsniai, Kassel, 1948. Japanese edition.
Tokyo, 1996; enlarged Lithuanian edition, Vilnius, Baltos Lankos 1997.
Geliu Kalbejimas. Poetry, in Lithuanian, Chicago, 1961.
Pavieniai Zodziai. Poetry, in Lithuanian, Chicago, 1967; Japanese edition, Tokyo, 1996.
Poezija. Poetry, in Lithuanian, Vilnius, Vaga, 1971.
Reminiscensijos. Poetry, in Lithuanian, New York, Fluxus, 1972.
Movie Journal, Macmillan, 1972: Japanese edition, 1975. Spanish edition, 1976; French
edition, 1992.
Dienorasciai. Poetry, in Lithuanian, New York, Zvilgsniai, 1985.
Three Friends: John Lennon, Yoko Ono, and George Maciunas. Japanese edition, Tokyo,
1990; Lithuanian edition, Vilnius, 1998; French edition, Centre Georges Pompidou, Paris, 2002.
I Had Nowhere to Go: Diaries, 1944-1954. Black Thistle Press, New York, 1991.
There is No Ithaca. English edition, trnsl. Vyt Bakaitis, of Semeniskiu Idiles and
Reminiscensijos, Black Thistle Press, New York, 1996.
Letters from Nowhere. In Lithuanian, Vilnius, 1997.
Dienu Rastai. Poetry, in Lithuanian, Vilnius, 1998.
Zefiro Torna or Scenes From the Life of George Maciunas. Diaries, Arthouse, New York, 1998.
Zmogus Be Vietos. Lithuanian edition of I Had Nowhere to Go. Baltos Lankos, 2000.
Just Like A Shadow. Text by Jerome Sans. Frozen film frames by Jonas Mekas. Steidl,
Göttingen, 2000. In English.
Declarations de Paris. Editions Paris Experimental, 2001. In French and English.
Poezija, Lietuvos Rasytoju Sajungos Leidykla. Poetry, in Lithuanian, Vilnius, 2002.
As I Was Moving Ahead…Editions Kinoshita, Tokyo. In Japanese. Text and narration from the film.
Fluxus Friends. In French. Centre Georges Pompidou, 2002.
Artist Book. Musee d’Art Moderne de Villa de Paris, 2002.
Daybooks. Poetry. Translated by Vyt Bakaitis from Lithuania. Portable Press, Brooklyn, 2003.
Lettres de Nulle Part. In French. Paris Experimental, 2003.
Anecdotes. In French. SCALI, 2007.
Articles on cinema in Film Culture, Sight & Sound, Bianco e Nero, The New York Times,
Cahiers du Cinema, Isskustvo Kino, etc.
Publications About Jonas Mekas
Books and Catalogs:
Alberto Arbasino, “Entre el “underground” y el “off-off.” Editorial Anagrama, Barcelona, 1970.
Judy Briggs, Jonas Mekas. Films in the Cities, St. Paul, 1980.
Jonas Mekas. Exposition Catalog. Tokyo, 1983.
David James, To Free the Cinema: Jonas Mekas and the New York Underground, Princeton University Press, 1992.
Jonas Mekas. Catalog. Galerie Nationale Jeu de Paume, Paris, Paris, 1992.
Jonas Mekas. Catalog and Texts. Galerie du Jour, Paris, 1996.
Jonas Mekas: Frozen Film Frames. Exhibition catalog. Tokyo Metropolitan Museum of
Photography, 1996. Text in Japanese.
Pip Chodorov, Christina Lebrat, Le Livre de Walden. Editions Paris Experimental, Paris, 1997. In French.
Jonas Mekas: Frozen Film Frames. Images and texts. Photo-Planete, Tokyo, 1997. In
Japanese.
Sustabdytos akimirkos. Exhibition catalog. Contemporary Art Museum, Vilnius, 1997.
Jonas Mekas: This Side of Paradise. Exhibition catalog and texts. Galerie du Jour, Paris, 1999.
Pip Chodorov, Patrice Rollet, Lost Lost Lost Book. Editions Paris Experimental, 2000. In French and English.
Extened Essays and Interviews:
Alan Levy, “Voice of the Underground Cinema,” The New York Times Magazine, September 19, 1965.
Calvin Tomkins, “All Pockets Open,” New Yorker profile, January 6, 1973.
Scott MacDonald, “Interview With Jonas Mekas,” October N. 29, Summer 1984.
Jerome Sans, “An Interview with Jonas Mekas,” Just Like a Shadow, Steidl, 2000.